Antelope Canyon X, near Page, Arizona, by Bill S. Petrunich, Field Contributor. Nikon D850, Nikkor 24-70mm F2.8 G AFS ED (Nano Crystal Coat) zoom lens, focal length 24mm, f/13 at 1/20 second, spot metering mode, manual exposure mode, ISO equivalent 64, R
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Sunrise and fresh snowfall, Blackwater Falls State Park, Davis, West Virginia, by Jay O’Brien. Nikon D500, Tamron AF 16-300mm F3.5-6.3 Di II VC PZD B016N lens, focal length 86mm, f/16 at 0.8 second, matrix metering mode, auto exposure mode, ISO 100.
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Summer monsoon and double rainbow, Grand Canyon National Park, Arizona, by Tina Wright and Kevin Juberg. Nikon D750, Tokina 16-28mm lens, focal length 22mm, f/13 at 1/60 second, matrix metering mode, manual exposure mode, ISO equivalent 100.
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Ricketts Glen State Park, Pennsylvania, by Jay OBrien, Field Contributor. Nikon D7100, Nikkor 17-70mm F2.8-4.5 lens, focal length 17mm, f/16 at 0.5 second, matrix metering mode, auto exposure mode, ISO 400.
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Cover: Lone Pine Peak framed in Boot Arch, Alabama Hills, California, by Craig Malburg, Field Contributor. Nikon D200, focal length 18mm, f/8 at 20 seconds, matrix metering mode, manual exposure mode, ISO 200.
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Cover: Palo_Duro_Canyon State Park near Amarillo, Texas, by Jim L. Shoemaker, Field Contributor. Canon EOS 5DS R, Canon EF24-105mm F4L IS USM lens, focal length 28mm, f/2, evaluative metering mode, manual exposure mode, ISO 100.
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Sunrise over Blackwater River, Davis, West Virginia, by Jay OBrien, Field Contributor. Nikon D7100 lens, Nikkor 16-80mm F2.8-4 lens, focal length 25mm, f/16 at 5 seconds, matrix metering mode, auto exposure mode, ISO 400.
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Cover:
Joshua Tree National Park, California, by Thomas S. Parry, Field Contributor. Canon EOS 40D,
Canon EF70-200mm f/4L IS USM lens, focal length 75mm, f/7.1 at 1/500 second, evaluative
metering mode, auto exposure mode, ISO 200.
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Cover:
Pinnacle Overlook, Cumberland Gap National Historic Par, by Harold Jerrell, Field Contributor.Nikon D750, Nikkor 24-120mm F4 lens, focal length 105mm, f/20 at 0.4 second, matrix metering mode, auto exposure mode, ISO equivalent 100.
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Cover:
The bright early morning sun shines on Lower Tahquamenon Falls, Michigan’s Upper Peninsula, as storm clouds appeared and provided an almost neon quality, by Bob Watson, Field Contributor.
Nikon D800, Nikkor 70-200mm F2.8 lens, focal length 13
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Cover: Mittens reflecting in pool of water after a monsoon storm, Monument Valley (Navajo-: Tsé Bii Ndzisgaii meaning valley of the rocks), Arizona, by Kevin Juberg, Field Contributor.
Nikon D300S, Nikkor 28-300mm lens at 70mm, f/11 at 1/100 second, IS
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Cover: Delicate Arch, Arches National Park, Utah, by Thomas S. Parry, Field Contributor. Canon EOS 40D, Canon EF24-70mm F2.8L II USM lens, focal length 39mm, f/9 at 1/80 second, evaluative metering mode, auto exposure mode, ISO equivalent 400.
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Cover: Lupine and Indian paintbrush, Mount Saint Helens, Washington, by Jim L. Shoemaker, Field Contributor. Canon EOS 5D Mark II, Canon EF16-35mm F2.8L USM lens, focal length 16mm, f/16 at 0.6 second, evaluative metering mode, manual exposure mode, ISO e
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Cover: Toleak Point, Olympic National Park, Washington, by Randall J. Hodges, Field Contributor. Canon EOS 5D Mark II, Canon L Series 24-105mm lens, focal length 24mm, Lee 2-stop hard split neutral density filter to balance light between sky and ground, f
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The Gateway rock formation framed by a 1200-year-old juniper, Garden of the Gods, Colorado, by Bijan Pirnia, Field Contributor.
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Painted Hills near sunset, John Day Fossil Beds National Monument, Oregon, by Gavin Emmons, Field Contributor. Canon EOS 5D Mark II, Canon 24-105mm IS USM lens, focal length 97mm, f/13 at 0.3 seconds, ISO equivalent 100, Gitzo 3530LSV tripod, Arca-Swiss B
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Cover: El Matador State Beach, California, by Jim L. Shoemaker, Field Contributor. Canon EOS 5D Mark II, Canon EF16-35mm F2.8L USM lens, focal length 16mm, f/16 at 1.6 seconds, evaluative metering mode, manual exposure mode, ISO equivalent 100, image made
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